Cantate da camera

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Cantata à voce sola di soprano
£4.95
Cantata à voce sola di contralto
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Cantata per Camera a due Soprani Clori e Lidia Compagne
£5.95
Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di contralto
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Cantata à voce sola di soprano
£4.95
Cantata à voce sola di contralto
£4.95
Cantata à voce sola di soprano
£4.95
Duetto da camera à voce di soprano e contralto
£6.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di contralto
£4.95
Cantata à due, soprano e contralto
£5.95
Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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A Scarlatti: Filli adorata, e cara
Forces: soprano & continuo

Why do these men suffer so? Despite being separated from his beloved, our protagonist sings of his love for her being the reason for his life. His soul yearns and his death will swiftly follow, should she not return. Yeah, right! RARA format, one aria slow and sinuous, the other fast and virtuosic.

Range c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Già sorge l'Alba (Dorisbe cacciatrice)
Forces: soprano & continuo

A large cantata telling the story of the huntress Dorisbe. Her face is compared to the snares of Cupid, her bow to Cupid's darts and the listener is exhorted to hunt animals, not Love. In a complicated RAARARAA format, the last aria gradually becoming arioso then recitative. Some excellent hunting motifs in the music, particularly evoking the sound of the hunting horn.

Sources: Münster Santini Sammlung HS 3977 and HS 864

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Giù di Vulcan
Forces: alto & continuo

Join the god Vulcan in his depths to discuss the changeable nature of love. RARA format with some wonderfully sinuous writing in recitative and aria.

Source: Münster Santini Sammlung HS 3909

Range: b flat - d'

Editor: James Sanderson

Cantata à voce sola di contralto
£4.95
A Scarlatti: Il ciel seren, le fresche aurette (La Primavera)
Forces: 2 sopranos & continuo

Source: Santini Collection, 3901 Diözesan Bibliothek, Münster

La Primavera depicts a scene in which two girls await the return of their lovers, Tirsi and Fileno. Spring, the melting of ice, and the return of flowers, happiness and love are the subject of the girls’ conversation.

Vocal Ranges
Clori: d’- g’’
Lidia: d’- g’’

Editor: Rosalind Halton

Cantata per Camera a due Soprani Clori e Lidia Compagne
£5.95
A Scarlatti: Il genio di Mitilde
Forces: soprano & continuo

Source: Paris Bibliothèque Nationale, MS D.11840

The capricious Mitilde has more moods than the sea has storms, and Scarlatti depicts her in a fiery cantata with exciting demands for singer, cellist and keyboard player.

Range - e' g''.

2 Recits and arias: 1. Spiritoso, D minor; 2. Alla breve, A major

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: In vano Amor tiranno
Forces: soprano & continuo

The first line says it all: Cupid is trying to destroy another young man's life with his darts and this guy is fighting back! An extensive work in RARARA format, the first two arias slow and sinuous, the last more matter-of-fact and resigned to fate.

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Io son Neron (Il Nerone)
Forces: soprano & continuo

This cantata was written in 1698 and is from a manuscript with a number of other mythological or historical themes rather than pastoral. The self-styled 'Emperor of the World', Nero, is certainly enjoying his ego! Florid and virtuosic. RARARAR format with a fiery recitative finish.

Source: Münster Santini Sammlung HS 3909

Range: d - b'' flat

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: La dove a Mergellina
Forces: Soprano & continuo

There at Mergellina where the sea kisses the shore, the lovelorn Elpino went alone one day, addressing the waves: "Love him that loves you..." A stunning example of the genre in a long-awaited edition from Rosalind Halton and a must have for the lovers of cantate de camera. In RARA format and taken from two sources, Naples and London.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: La morte di Mitilde
Forces: soprano & continuo

Mitilde dies and with her dies the flame of Love. A challenging and fascinating example in RARA format, the recitatives travelling through widely disparate tonalities and the contrasting arias, one a stunning Adagio and one a classic cut-common rage against the tyrant, have very clearly defined characters and great musical values.

The source is a manuscript in the Naples collections. Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Leandro anima mia (Ero e Leandro)
Forces: alto & continuo

Hero calls for Leander who is attempting to swim the Hellespont to meet her. Upon his death she reacts to his loss and her reaction is interpreted by a narrator character in a final aria. In RARARA format.

Source: Münster Santini Sammlung HS 3909

Range: c - d'

Editor: James Sanderson

Cantata à voce sola di contralto
£4.95
A Scarlatti: Libertà del mio cor
Forces: soprano & continuo

[ca.1709] - one source only extant.
Theme of the bird seeking freedom/ the lover freedom from love. Virtuoso aria 1, final siciliano very beautiful.

Range: d'-g''. A major/D major.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Lieti boschi, ombre amiche
Forces: alto & continuo

Taking refuge in the forests, amongst the friendly shades, our heart-broken protagonist sighs at his plight. The trees, breezes, beasts and birds know how he feels, but Clori is insensitive to his love. RARA format with a spiky adagio and a rather sprightly andante to finish.

Source: Münster Santini Sammlung HS 3907(15)

Range: b - c'

Editor: James Sanderson

Cantata à voce sola di contralto
£4.95
A Scarlatti: Lontan dall' Idol mio
Forces: soprano & continuo

Sources: 7 MS sources, as described in the notes, dated 1699 in one source (Bodleian Library, Oxford).

Subject: the illusion of love being present, though far away. This is one of the most profound and passionate settings by Scarlatti on the theme of distance and separation, from its opening interval - a minor 9th - to the wild despairing modulations within the final Siciliano aria.

Featured on chacona's recording 'Olimpia: cantatas of Alessandro Scarlatti'.

Vocal range: d'-g''

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Marc Antonio e Cleopatra
Forces: soprano, alto & continuo

Source: MS.3901, Santini Collection of the Diözesan Library, Münster. It is the only source of this work, which consists of chamber duets with basso continuo. One of the works, the famous 'Questo silenzio ombroso' carries the comment '1707 in Urbino'.

This is a substantial chamber duet with recits & arias for both characters as well as two extensive duets.

Editor: James Sanderson

Duetto da camera à voce di soprano e contralto
£6.95
A Scarlatti: Mesto lasso, e ramingo
Forces: soprano & continuo

Dated on the first page as June of 1704. Submerged in sadness and sorrow, our protagonist pleads with Fate for release. In regular RARA format with a quirky 3/4 first aria and a lovely, pleading Siciliano to finish.

Source: Source: Münster Santini Sammlung Hs 3907(2)

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Mi tormenta il pensiero (i)
Forces: soprano & continuo

The first version of this cantata, dated 10 March 1701 in Scarlatti's 'Cantata Diary'. 'Tormented by my thoughts, consumed with desire, lost is hope, and without hope what point is there in life?' The torments of Jealousy in love. RARA format.

Source: Münster Santini Sammlung HS 864(7)

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Mi tormenta il pensiero (ii)
Forces: alto & continuo

The second version on this text, using more of the text than version I. The cruel force of Jealousy plagues the young lover in this concisely written pastoral cantata. Tormented by thoughts, consumed with desire, lost is hope, and without hope what point is there in life?.

Source: Münster Santini Sammlung 3909

Range: b - c#'

Editor: James Sanderson

Cantata à voce sola di contralto
£4.95
A Scarlatti: Nò non ti voglio Cupido
Forces: soprano, alto & continuo

The changeable attitude to love certainly makes for a bright piece of music! The opening and closing duets (to the same music) projects two different moods - 'No I don't want it' and 'Yes, I do' Separated by two recits and arias, one for each voice.

Source: Münster Santini Sammlung HS 865(1)

Editor: James Sanderson

Cantata à due, soprano e contralto
£5.95
A Scarlatti: Non lasciar canora e bella
Forces: soprano & continuo

Charting the progress of the Swallow (Rondinella) from the Arno to the Tebro at the end of the Summer's heat, with some beautiful word painting (including fluting bird-song) and some quite stunning recitative - AS at his best in another of the 1704 cantatas. In ARARA format, starting with a gentle Siciliano, an Allegro in cut common time is the middle aria and the final aria is a lively 3/8.

Source: Münster Santini Sammlung 3907

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Notte cara, ombre beate
Forces: soprano & continuo

'Dear night, blessed shadows...I only enjoy my dreams and cry in the day...' Very much a nocturnal lover in one of Scarlatti's stunning night cantatas. Beautiful harmonies, sinuous dreaming vocal lines capturing that special air of quiet and suspense. In ARARA format and compiled from two copies in the Naples Conservatorio Library.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
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