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Cantata da camera
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Cantata da camera à soprano solo
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce solo di contralto
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Cantata à voce sola di soprano
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Cantata à voce solo di soprano
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Cantata à voce solo di contralto
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Cantata à voce solo di contralto
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Leo: Aure liete intorno à Clori
Forces: soprano & continuo

Leo's setting of this popular text. Whilst Clori sleeps her lover guards her rest and surrounds her with flowers (whilst binding himself in the pleasant chains of love). ARA format with two sensuous arias.

Source: Münster Santini Sammlung Hs 2358(7)

Range: d - a flat''

Editor: James Sanderson

Cantata da camera
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Leo: Ch'io non conosco Amore
Forces: soprano & continuo

Not knowing Love, not knowing of his sighs, how can Irene recognise his ardor? The lovers complaints (and his happiness) of and in love. ARA format with a larghetto, e cantabile and an aria non presto. The recitative is typically intricate and the harmonic world is complex.

Source: Münster Santini Sammlung HS 2358(1)

Range: d - a''

Editor: James Sanderson

Cantata da camera
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Leo: Dal di che in questo petto
Forces: alto & continuo

A delightful RARA format cantata for alto and continuo in which our erstwhile lover tries to convince Nice that love is just a game and forgiving his infidelity is her only course of action. Hmmm...interesting theory...

Editor: James Sanderson

Cantata da camera
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Leo: Dopo lunga dimora
Forces: soprano & continuo

A stunning example of the genre showing Leo at the height of his powers in this field. RARA format with two complex and beautiful arias and the expected involved recitatives. The straying shepherd returns to the banks of the River Arno to find both love and infedelity in his beloved Amarillis.

Source: Münster Santini Sammlung HS 2358(2)

Range: d - a'' flat

Editor: James Sanderson

Cantata da camera
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Leo: Frangi Cupido i dardi
Forces: alto & continuo

Source: BL Add MS 14210 ff24r - 29r

Once more, the lover is tired of being struck by Cupid's darts and begs him to break them - he hasn't the strength to resist any more! Cupid however has other plans and torments the lover further. 2 recits with andante and affettuoso arias.

Range: c - d'

Editor: James Sanderson

Cantata da camera
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Leo: Io seguir il Nume arciero
Forces: alto & continuo

Source: BL Add MS 14210 ff18r - 23v

The follower of the God of Love is regretting his decision and exhorts us to choose freedom over the chains of love! 2 recit and aria format with excellent contrast between the arias and interesting and involved recits.

Range: b flat - d'

Editor: James Sanderson

Cantata da camera
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Leo: Non potrei benche volessi
Forces: soprano & continuo

Source: BL Add SM 14112 ff 111r - 114r

As the stream to the sea, so am I drawn to you. Thus runs the final aria and summarises this charming cantata (despite Clori's continued infedelity). Aria (Affettuoso) - recit - aria (Non presto) format.

Range: d - g'

Editor: James Sanderson

Cantata da camera à soprano solo
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Leo: Oh' Dio qual duolo sia
Forces: soprano & continuo

"What sadness to be parted from the beloved" It is a beautiful example of a lontananza cantata with stunningly sinuous writing within the ARA format. The first aria has a 3-8 B section, the recit is involved and expressive and the final aria is a wealth of beautiful music.

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Oimè, che veggio?
Forces: soprano & continuo

The pain of betrayal and the anguish it causes is the theme of the first part of this delightful cantata. The sobbing of the affettuoso aria is beautiful. The second half of the cantata, however, sees our young man in a fury! His long recit and final 'rage' aria (with its contrasting 3/2 middle section) are a piece of virtuosic writing of the first order.

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Or che barbara sorte
Forces: soprano & continuo

Source: BL MS Add 14210 ff 10r - 17r

In classic two recit and aria format with some wicked chromatic shifts in the recits, the lover bemoans the cruelty of Fate which has parted him from his beloved.

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Pianger vidi appresso al fonte
Forces: soprano & continuo

With a sorrowful image of the shepherdess weeping near the fountain, hand on heart, the erstwhile lover claims that if she were with him she would have no cause to complain! ARA format, both arias wonderfully plaintive.

Source: Münster Santini Sammlung Hs 2358

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Piansero Eurilla mia
Forces: soprano & continuo

Source: BL Add MS 14210 ff 2r - 9v

A gentle and loving story of a man abandoned in the woods (amongst flowers and verdant fields, of course) by his beloved Eurilla. Still he loves her - your blond hair, your white hands, your faithfulness(!). 2 recits (both quite large and complicated) and 2 arias (moderato and allegro with a slower(?) reflective middle section in triple time).

Range: d - g''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Quel usignuolo che in quella pianta
Forces: soprano & continuo

As the nightingale sings of the pains of love, Filli's lover swears his devotion to her and begs her to ignore all the lies and jealousies that plague young love. ARA format, the first a complex and virtuosic larghetto, e cantabile, the last marked non presto

Source: Münster Santini Sammlung Hs 2358

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: S'io credessi il cor costante
Forces: soprano & continuo

'If' is, of course, the important word in this cantata. "If I belived in a faithful heart..." A discussion of the pain caused by loving too much. ARA format, both arias excellent and sinuous.

Source: Münster Santini Sammlung Hs 2358(3)

Range: d# - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Sotto l'ombra d'un faggio fermò l'incerto passo
Forces: soprano & continuo

Source: BL Add MS 14210 ff 35v - 41v

The young man, perhaps unlucky and unhappy Tirsi, finds himself once more beneath the shade of a beech tree lamenting the cruelty of his beloved Dorinda. 2 recit and aria form with some stylish vocal passage work in both arias.

Range: d# - g#''

Editor: James Sanderson

Cantata à voce sola di soprano
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Mancini: Agitato mio pensiero
Forces: alto & continuo

Source: BL Add MS 64960 Formerly owned by Maria Ducarel, recorded (f. ii verso) as a gift to her from George Henry Lee, 3rd Earl of Lichfield, in 1768.

Here Amor is stirring the heart and throughts of an erstwhile lover. With an excellent opening allegro and concluding with a slightly 'crooked' andante this is a jolly sing through one of the genre's typical subjects.

Range: a - c'

Editor: James Sanderson
Cantata à voce solo di contralto
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Mancini: Ahi che moro e ristoro
Forces: soprano & continuo

Source: BL Add 14211 ff 132r - 139v

In aria-recit-aria-recit-aria form with some very odd use of shifting tonality the lover bemoans the cruelty of Amore.

Range: e' - g#''

Editor: James Sanderson

Cantata à voce sola di soprano
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Mancini: Allor ch'il dio di Delo
Forces: soprano & continuo

The God of Delos, Apollo comes to earth and sports with the goddess Flora - I think however that her beauty wins the day! In RARARA format with some lovely recitative and a really satisfying text.

Source: Münster Santini Sammlung HS 865(10)

Range: d - g'

Editor: James Sanderson

Cantata à voce solo di soprano
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Mancini: Allor che ad' altro oggetto
Forces: soprano & continuo

The fire and pains of jealousy and unrequited love fan our protagonist's ardour in this lovely cantata. In RARA format, the first aria full of unexpected chromaticism, the second an excellent 'walking bass'.

Source: Münster HS 2459(6)

Range: f - g'

Editor: James Sanderson

Cantata à voce solo di contralto
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Mancini: Alpestre, monte e solitaria selva
Forces: alto & continuo

Source: BL Add MS 14213 124v - 131v

Oh, the pain that Love causes, and once again it's Nice! Here the lover would willingly shed every last drop of blood to get Nice back. Hello?!!? Two recit and aria format, both arias slow, in the (appropriately) pathetic style.

Range: a - d'

Editor: James Sanderson

Cantata à voce solo di contralto
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